““E3 was the first ‘Oh my god, we’re totally fucked.’ Everyone’s expectation is that we’ll have a fully running game and it’ll be a brand new Madden and it will look just like that trailer did. We were stuck with one character standing in the middle of the stadium. That’s all we could get,” says Cummings.”
Read my full story on Madden 06 at Rolling Stone/Glixel
“You’re crunching to death. You’re working all of these hours and you’re missing your deadlines. And then in addition to that, you’re being told to add these things in the game. It’s really frustrating because you’re just like, ‘I can’t work anymore’ and it’s like, ‘Why are we adding things? Why not make things fun that we already have?’” says Dubrofsky.”
Read my full story on Lair’s development at Polygon
“There’s an authenticity in rotating courtside banners and between-play chatter by the announcers, changing as the year moves on with new sponsors cycling in. The insistence on using Virtual Currency (VC) for everything compounds the issue, though. NBA 2K18 wants you to drink Gatorade, but it’s also interested in getting you to spend more real money in the game.”
Read my full review of NBA 2K18 at Polygon
“EA’s NHL remains the best of the publisher’s sports franchises in terms of its simulation, even as its slow pace of growth becomes increasingly hard to ignore. FIFA’s authenticity fluctuates, Madden plays safe, and NBA Live comes and goes. NHL stays consistent. Frustrating as off-the-puck AI can be (players too frequently seem blind when the puck is loose), in motion, it’s hockey bliss. It’s also apparent that a lack of updates and changes year-over-year is beginning to stagnate things.”
Read my full review of NHL 18 at Polygon
“Visual Concepts’ original plans for Madden ’96 included full TV-like production, using the added CD space to bolster Madden’s audiovisual components. Many of the video sequences starred John Madden and co-anchor Pat Summerall, performing pre- and postgame routines. According to Rubinelli, Madden remained deeply involved with the franchise, dissecting rule changes and pointing out mistakes in both offense and defense as the team went on. Madden and Summerall’s professionalism continued into the video interstitial scenes, directed and scripted by Rubinelli.
“I wrote scripts for them by watching probably 100 hours of them broadcasting. … John took one look at the scripts that I wrote and said, ‘This is terrible. I would never say these things. Who wrote this shit?’ … He said, ‘You give me an unlimited number of scenarios, and Pat and I will just freestyle. We’ll ad lib.’ I gave them every possible scenario and they didn’t miss a beat. It was color as only Madden can do.”
Read my full feature on Madden ’96 at Polygon
“Yonder comes from Australian studio Prideful Sloth games. For the developer of Yonder, there’s no better name to represent their output. Yonder won’t pressure anyone when wandering the landscapes of Gemea. Without leveling, without health, without time restrictions, everything you do is free of confinement. Yonder is, plainly, a game of almost nothing where you need do nothing.”
Read my full review of Yonder at Polygon.
“Discovery comes easy when wandering a hall of video games, each churning attract screens. Without arcades, those random hubs found by curious Google hunters such as Thacker were it for the shmup’s exposure, outside of certain studios aiming at the die-hard audience. The genre, and with it the shmup’s myriad of sci-fi, fantasy, and military fetishism, fell into disrepair. The mainstream gaming public chewed on ever increasing polygon counts; the dedicated shmup fan sifted through what amounted to back alley digital dumpsters seeking anything of merit still made with scrappy 2D sprites, subwoofer crushing explosions, and mountainous end level bosses.”
Read my full feature on PC SHMUPs at PC Gamer